๐˜ž๐˜ฉ๐˜ฆ๐˜ฏ ๐˜ข ๐˜ฉ๐˜ฐ๐˜ฎ๐˜ฆ ๐˜ช๐˜ด ๐˜จ๐˜ฐ๐˜ฏ๐˜ฆ, ๐˜ช๐˜ต ๐˜ฅ๐˜ฐ๐˜ฆ๐˜ด ๐˜ฏ๐˜ฐ๐˜ต ๐˜ง๐˜ถ๐˜ญ๐˜ญ๐˜บ ๐˜ฅ๐˜ช๐˜ด๐˜ข๐˜ฑ๐˜ฑ๐˜ฆ๐˜ข๐˜ณ.
๐˜ž๐˜ฉ๐˜ข๐˜ต ๐˜ณ๐˜ฆ๐˜ฎ๐˜ข๐˜ช๐˜ฏ๐˜ด ๐˜ข๐˜ณ๐˜ฆ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ต๐˜ณ๐˜ข๐˜ค๐˜ฆ๐˜ด ๐˜ธ๐˜ฆ ๐˜ค๐˜ข๐˜ณ๐˜ณ๐˜บ.

๐˜™๐˜ฆ๐˜ฎ๐˜ฏ๐˜ข๐˜ฏ๐˜ต๐˜ด is a series of installations shaped by rust, time, and the fragments left behind after demolition. Using discarded fabrics and architectural remnants, the works present material evidence of memory, where stains, imprints, and corrosion become visible traces of what once stood. Through these surfaces, the installations trace the quiet persistence of memory, showing how something fragile can still endure, even in the face of loss and displacement.

This exhibition is both personal and collective, reflecting on home not just as a structure, but as something carried, remembered, and continuously rebuilt.

I would like to invite you to witness my thesis exhibition, ๐˜™๐˜ฆ๐˜ฎ๐˜ฏ๐˜ข๐˜ฏ๐˜ต๐˜ด. ๐˜๐˜ฏ ๐˜ฑ๐˜ข๐˜ณ๐˜ต๐˜ฏ๐˜ฆ๐˜ณ๐˜ด๐˜ฉ๐˜ช๐˜ฑ ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜ต๐˜ฉ๐˜ฆ ๐˜’๐˜ข๐˜ฃ๐˜ช๐˜ญ๐˜ช๐˜ฏ ๐˜Š๐˜ฆ๐˜ฏ๐˜ต๐˜ฆ๐˜ณ.

This is a work Iโ€™ve held close and carefully shaped over time, and Iโ€™m grateful to finally share it with you.

๐˜”๐˜ข๐˜บ 13โ€“19, 2026
๐˜›๐˜ฉ๐˜ฆ ๐˜’๐˜ข๐˜ฃ๐˜ช๐˜ญ๐˜ช๐˜ฏ ๐˜Š๐˜ฆ๐˜ฏ๐˜ต๐˜ฆ๐˜ณ
๐˜ˆ๐˜ณ๐˜ต๐˜ช๐˜ด๐˜ต ๐˜ณ๐˜ฆ๐˜ค๐˜ฆ๐˜ฑ๐˜ต๐˜ช๐˜ฐ๐˜ฏ: ๐˜”๐˜ข๐˜บ 13, 3:00 ๐˜—๐˜”